"A bibelot the more or the less," Fleda said, "could have made little difference in this grand general view of you. I take you simply for the greatest of all conjurers. You've operated with a quickness—and with a quietness!" Her voice trembled a little as she spoke, for the plain meaning of her words was that what her friend had achieved belonged to the class of operation essentially involving the protection of darkness. Fleda felt she really could say nothing at all if she couldn't say that she knew what the danger had been. She completed her thought by a resolute and perfectly candid question: "How in the world did you get off with them?" "Well, then, if he doesn't care!"—Fleda exclaimed, with some impetuosity; stopping short, however, before she completed her sentence.!

"Not a whisper, not a step, in all the eight days. Perhaps they don't know. Perhaps they're crouching for a leap." "That was why his father, whom he exactly resembles, needed me. And I didn't fail his father," said Mrs. Gereth. She gave Fleda a moment to appreciate the remark; after which she pursued: "Mona Brigstock isn't weak; she's stronger than you!"

Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!" She had perceived that he wouldn't speak of Mona without her beginning. After waiting fruitlessly now for him to say more, she continued: "She has been there again? She has seen the state of the house?" The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!